Opening with hunger and appetite, Took House, an alluringly haunting poetry collection, invites the reader to the table to dip in and out of love, obsession, and what remains hidden.
The chapbook “More Than Watchmen at Daybreak” opens by addressing the reader as pilgrim, a traveler, one who has come from afar or is seeking a holy place.
Each poem shows the reader a bright flash of an extinguished life through the journey of forty-three poems, each honoring a María murdered between now and 1993.
My world cracked open in fourth grade when we learned our planets. In college, when my chemistry professor said, “Sometimes I wish I had studied astronomy instead of chemistry,” my universe expanded again. Moments like these are precious. The poems in Mary Peelen’s Quantum Heresies offer a similar shattering-of-the known-world effect.
Mosaic of the Dark is drenched in metaphor, mystery, and prayer. Dordal, in her acquired wisdom, has produced a book of poetry that transcends a woman’s story to become a spiritual awakening.
Steenblik’s poems give this reader the impression of someone who’s read and thought deeply about the role of the feminine divine, how Heavenly Mother can be sought and invited more fully into Mormon discourse in general and into the spirituality of individuals in particular.